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                <text>Location: Paestum&#13;
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As in other Latin colonies, the settlers grafted Roman-style civic structures on top of the older city, in the process transforming the original Greek layout of the town. &#13;
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The comitium, as in Rome, was a place where citizens met for public meetings (contiones), to elect local magistrates, and for some judicial activities. &#13;
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At Paestum, the tiered seating of the comitium is still visible. Interestingly, the west side of the comitium building was partly demolished in the first century BC to make room for the (re?)constructed temple to Bona Mens (Good Mind). Thus, the comitium had  probably fallen out of use, suggesting that the citizens had begun to meet in another location or the nature of civic activity had changed.</text>
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                <text>Location: National Archaeological Museum of Paestum &lt;br /&gt;Date: late 4th century BC &lt;br /&gt;&lt;br /&gt;Details: The tomb frescoes of fourth century Paestum vividly express a mixture of cultures, drawing from Greek, Lucanian/south Italic, and Etruscan traditions. &lt;br /&gt;Funerary games, such as dueling, boxing, and chariot racing, are commonly depicted in these paintings, celebrating the lives of the deceased and the martial virtues valued by Lucanian society. Images of dueling and gladiatorial combat, as pictured in this tomb, seem to have their origins particularly in Italic funerary traditions. However, note that the combatants pictured here wield both Greek and Italic military equipment. The combatant on the left appears to wear an Attic helmet, popular in the Greek east, while his opponent on the right wears an Italo-Corinthian helmet was used in Italy. Both wield a large hoplite shield (hoplon) and seem to wear the type of linen armor (linothorax) used in Greece and Macedonia.&lt;br /&gt;Greek and Etruscan traditions peak out elsewhere: the thick red border at the bottom of the image (called a "dado") is well known from Etruscan art, where it was employed to mark off the base of walls; on the other hand, the red spheres hanging around the fighters are almost certainly pomegranates, which were "associated with death and rebirth in Greek iconongraphy as in the story of Persephone eating pomegranate in the underworld" (Tuck, 57).&lt;br /&gt;&lt;br /&gt;Further reading:&lt;br /&gt;Tuck, Steven L. &lt;em&gt;A History of Roman Art. &lt;/em&gt;Wiley-Blackwell, 2015.</text>
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Date: 273 BC&#13;
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